Joyce Sutphen lives in Chaska, Minnesota and teaches at Gustavus Adolphus College in St. Peter, Minnesota. She is the author of Naming the Stars (2003), Straight Out of View (Beacon Press, 1995), winner of the 1994 Barnard New Women Poets Prize, and Coming Back to the Body (Holy Cow! Press, 2000). Her poems have appeared in American Poetry Review, Poetry, The Gettysburg Review, Water~Stone, Hayden’s Ferry, Shenandoah, Luna, and others.
Reviews:
Sutphen’s Coming Back to the Body is a powerful yet gentle recollection of the author’s past, beginning with life on the farm and meandering its way to her present state. As her tone and emphasis changes from page to page, you begin to develop a sense of the spectrum of her spiritual being. She takes you from childhood naivety, casually to heart wrenching loss and frustrating regret. What I found to be the most powerful in her writing was that at certain points in the book, one poem stands out as a crossroads for several previous threads that explodes with the depths of meaning one finds in Shakespeare. When you come across these poems, you will be very well aware of the author’s genius. A beautiful and touching read.
— , Book Reviewer, Amazon.com
Sutphen’s poetry can hit you like a bright sunset after a day of gloomy rain. Although she claims in one poem to be burning the woods of her childhood tree by tree, she proceeds to show the subtle pleasures of growing up on a midwestern farm and briefly resurrect friends who have since passed out of her life. Elsewhere, she takes such luminaries as Plath, Yeats, Eliot, and Socrates as subjects without ever losing the controlled energy and observant eye that make her more personal poems so powerful. Her words and images fly, but not out of view. It is possible to appreciate the grace and sweep of every poem without any sacrifice of meaning; each poem raises its wings and leaves us grateful for such poetic flight.
— Elizabeth Gunderson, Booklist
Sutphen’s first collection, awarded the 1994 Barnard New Women Poets Prize, reveals a poet of place whose assured, straightforward style seems sprung from the Minnesota farmlands where she was raised: melodious language disarmingly combined with a wry practicality towards the business of poetry. Her subject matter, however, extends beyond the homegrown, moving from the sudden disaster of “Tornado Warning” to sweeping landscapes of the American West to London, where in gentler tones she confronts Sylvia Plath through the medium of poetry. Sutphen’s voice is refreshing in that she examines the everyday without being overtly confessional, often capturing emotion with swift (sometimes too swift) imagistic strokes. Throughout she attends closely to the internal realities of quite ordinary existence: “It bothered my sense of symmetry to notice how a perfectly/ unplanned life could take on such an intricate pattern.”
— Publisher’s Weekly
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Links:
Joyce Sutphen’s Professorial Profile – Associate Professor of English, Gustavus Adolphus College
Good Thunder Reading Series – from the Minnesota State University Department of English. These are MP3 audio files. You can listen to an interview with Joyce Sutphen here. Hear a talk presented by Joyce Sutphen here.
Straight Out of View – Joyce Sutphen’s first book reviewed by Chris Lott
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Poems On-Line:
Crossroads
A Kind of Villanelle
All Reason and No Rhyme
At the Moment
Casino
Evening Angelus
Ever After
In Black
Key of Dust
Living in the Body
Naming the Stars
Older, Younger, Both
Sometimes Never
The Exorcism
The Farm
From the 16th Floor
Winter’s Night
Some Glad Morning
Soundings
Getting the Machine
Semi-Literate
Girl on a Tractor
In the Beginning
The Day
Things You Didn’t Put On Your Resumé
Guys Like That
Secret Agent Man
The Book of Hours
The Wordsworth Effect
The Shop
My Brother’s Hat
After, Always After
Seeing, Up Close Again
Death, Inc.
As Time Always Does
Homesteading
The Peaches
High Heels
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